2021
The poems Auf dem Weg zum Park (On the way to the park), Erinnerung (Memory) and Gebet (Prayer) appear in the anthology Sehnsucht, edited by Katrin Janßen and Ute Sattler at Athena-Verlag
House of Literature The Hague, Reading Tagebuch eines Windreisenden
Tagebuch eines Windreisenden (Diary of a Wind Traveller), published by Passagen Verlag
Performance “For Nelly Sachs”, with the dancer Gregor Weber and the double bass player Peter Jacquemyn, at the St. Paulus parish in Brussels, for the opening of the exhibition The Renaissance of Humility.
Together with Andrea Sabisch and Jörg Sternagel responsible for the project ‘Visual Education’ of the German Research Foundation (until 2025).
Panel discussion on Sarah M. Broom’s The Yellow House with Judith Wambacq and Jörg Sternagel at the annual conference of the Society for Media Studies at the University of Innsbruck
Das Recht des Schwächeren (The Right of the Weaker One), a collection of poems, is published by Athena-Verlag
Presentation “Reverse Perspective – On Conditions of Intermedial Education”, at the XI congress of the German Society for Aesthetics, online, via Zurich University of the Arts
Geachte meneer Kant, – Brieven van jonge kunstenaars aan filosofen, LUCA School of Arts, Brussels, presented on the Graduation Show
Goodbye to Morrissey – An Essay on Art and Morals, published by Grafische Cel, Ghent
Das Begräbnis des Philosophen – Eine Novelle (The Philosopher’s Funeral – A Novella), published by Verlag Karl Alber
Bildbeschreibung, Klangbeschreibung? Ästhetische Ekphrasis als ein produktives Missverständnis zwischen Narziss und Echo (Descriptions of Sound and Image? Aesthetic Ekphrasis as a Productive Misunderstanding between Narcissus and Echo)
2020
“Für eine topische Medienphilosophie” (For a topical media philosophy) in Internationales Jahrbuch für Medienphilosophie
Abschied von Morrissey – Ein Essay über Kunst und Moral (Goodbye to Morrissey – An Essay on Art and Morals) by Athena publishers
Pandemisches Standbild (Pandemic Image) on fixpoetry
“Vom Nachdichten und Nachsinnen – Ein phänomenologisches Skizzenblatt” (Poetical after-thoughts – A phenomenological sketch sheet) published in Journal Phänomenologie
Obsolete Philosophical Notions – performance at Netwerk Aalst, with Annelies Monseré, Nadia Sels, Andrea Knoflach and Maarten Van Ingelgem, presented on the symposium “Perform Philosophy” at LUCA School of Arts, Ghent
Lavendel (Lavender) by Volkmar Mühleis Quartett & Les Hirondelles
Residency at Concertgebouw Brugge, for the artistic research project After the Image – A Musigraphical Research
“Die Krisis der Pandemie” (The Philosophical Crisis of the Pandemic) published in the Philosophische Rundschau
Reverse Perspective by Wim Goes & Volkmar Mühleis, published by Grafische Cel, Ghent, LUCA School of Arts
Co-author of “Performance Philosophy and the philosophy of mediality”, together with Jörg Sternagel and Elisabeth Schäfer, in The Routledge Companion to Performance Philosophy
Publication of Die schönste Frau im Deutschlandfunk as “Text of the day” on Fixpoetry
2019
Publication of Halle, Händelstraße 26 as “Text of the day” on Fixpoetry
Performance of Geteilte Freude (Shared joy) at the Stiftskirche Stuttgart (Germany), sung by Ensemble Vocapella, directed by Tristan Meister
Continuously since 2019, member of the German Society for Phenomenological Research and the Society for Intercultural Philosophy
Performance of mein Bruder Karin at the Institute for Design Practice and Art Science of Hannover’s Leibniz University
Performance of Magnolie (Magnolia) in Berlin’s St. Canisiuschurch, sung by Neuer Männerchor Berlin, directed by Adrian Emans
Continuously since 2019, together with the German nationality the Belgian one
Presentation of Die Gegenstände unserer Kindheit (The objects of our childhood) at the Museum of Things, Berlin Lecture on the topic “Vision und Kunstpraxis” (Vision and art practice) at Leuphana University in Lüneburg (Germany), in the context of a the series of conferences on art education
Recitation of poems by Allen Curnow, in the context of “Something beautiful”, an art event at La Vallée, Brussels
Concert of the Brussels Cleaning Masters at the Center for Persecuted Arts, Art Museum Solingen (Germany), with a recitation of the collection of poems “Mein blaues Klavier” (My blue piano) by Else Lasker-Schüler
Performance of First Reading Note, a composition by Frederik Leroux, as reader of a scenario by László Moholy-Nagy, with Leroux on guitar and Heleen Van Haegenborgh on piano, at the Brussels Museum of Fine Arts, in the context of the exhibition “Berlin 1912-1932”
Performance of mein Bruder Karin in the Museum of Fine Arts, Brussels